Each image is unique as a photograph, and each unique in its application of paint, each varnished to a shimmering, glistening surface.
Using the postmodern strategy of appropriation, David Bierk gleaned imagery from a range of sources to create works that resonated with meaning.
David Bierk. " Husband of Private
 Both Goodman's review and Bierk's 2002 New York Times obituary note that Bierk used framing to call attention, in a way that is pointedly "postmodern", to the historical disjunction between the evoked masterworks and the contemporary cultural environment: "He painted copies of works by artists like Vermeer or the Hudson River School painter Frederic Edwin Church, for example, and framed them within broad steel panels, setting up a tension between humanism and old masterly craft on the one hand, and Modernist abstraction and industrial fabrication on the other. , In a June 2001 Art in America review, critic Jonathan Goodman wrote, "Bierk quotes from the past not so much to critique current art as to reinterpret a way of seeing that he associates with artists as disparate as Vermeer, Eakins, Ingres, Manet and Fantin-Latour....[Bierk] accomplishes this particularly well when he starkly juxtaposes two or three of his eclectic art-historical references within a single work."
following. Thus, the manner in which the painting is framed is often intrinsic to the work itself. View all.
Sault Ste. He photographed in panoramic format, mounted the images on canvas or board, and painted into and beyond the photographic border to create a complete image. 380 Sussex Drive Ottawa, ON, Canada K1N 9N4 Directions 31 x 46 in (78.7 x 116.8 cm)
David Bierk was elected a member of the Royal Canadian Academy of Arts in 1998 and was posthumously awarded the Queen’s Gold Jubilee Medal in 2002.
Works for sale (16) Auction results. Ontario Highway 7/Abandoned Home features a typical gold hued sky and is a fine example of Bierk’s painted photographs of this period. National Gallery of Canada .
Toronto, Ontario M5R 3R9 Bierk evidently became a Canadian citizen, for Artcyclopedia.com calls him an "American-born Canadian Painter". ←Previous Next→, A Eulogy to Life (FAITH), to Delacroix, 2000, oil on canvas, 49 × 67 1/2 inches, A Distant Light, from John Appleton Brown, Trees in Blossom #2, 1993, oil on steel, 59 × 65 inches, Book with steel case, 2000, oil on copper, 11 × 11 inches, A Eulogy, after Caravaggio, 1999, oil on gold leaf on board, 73 × 73 inches, The Line to Home, River Delta, 2000, oil on board, 16 1/2 × 19 1/2 inches, The Line to Home, Pond and Trees, 2000, oil on board, 16 1/2 × 19 1/2 inches, Still Life with Steel, to Van Aelst, 1999, oil on plaster on board, steel 52 1/2 × 40 1/2 inches.
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